There must be done some manually changes to the originial design if the orig. was in perfect condition ´cause normaly u got the hole picture, "expose" it to film, than expose the silk and then print every color, (here only one), get a heading and then the next one. For perfect condition of "lighter" color on dark ground I prefer high-pigmented-colors, but normally you got what you got and so an aceptable way is to print a second time after inter-dry off the print. It seems that they don´t do this to our panels, as well as don´t check and clean the silk every few prints from dust or st like that "in" the picture so some people get "holes" in their screenings. My own panel looks okay, little colourless at a few tiny locations, but quite aceptable at all so I thing only a few of all looks realy bad. Maybe other "owners" can explain how their panels looks like!?